Difference between revisions of "Page 266"
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<TR> <TD> </TD> <TD>hodge happy in his hole. <SUP>2</SUP> The store and</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>hodge happy in his hole. <SUP>2</SUP> The store and</TD> <TD> </TD> </TR> | ||
<TR> <TD> </TD> <TD>charter, Treetown Castle under Lynne. Riva-</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>charter, Treetown Castle under Lynne. Riva-</TD> <TD> </TD> </TR> | ||
| − | <TR> <TD> </TD> <TD>pool? Hod a brieck on it! But its piers eerie,</TD> <TD> </TD> </TR> | + | <TR> <TD> </TD> <TD>pool? Hod a brieck on it! But its [[piers eerie]],</TD> <TD> </TD> </TR> |
<TR> <TD> </TD> <TD>its span spooky, its toll but a till, its parapets</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>its span spooky, its toll but a till, its parapets</TD> <TD> </TD> </TR> | ||
<TR> <TD> </TD> <TD>all peripateting. D'Oblong's by his by. Which</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>all peripateting. D'Oblong's by his by. Which</TD> <TD> </TD> </TR> | ||
| Line 23: | Line 23: | ||
<TR> <TD> </TD> <TD>doldorboys and doll.<SUP>3</SUP> After sound, light and</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>doldorboys and doll.<SUP>3</SUP> After sound, light and</TD> <TD> </TD> </TR> | ||
<TR> <TD> </TD> <TD>heat, memory, will and understanding.</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>heat, memory, will and understanding.</TD> <TD> </TD> </TR> | ||
| − | <TR> <TD> <I>Bet you fippence,</i></TD> <TD> Here (the memories framed from walls are</TD> <TD> PREAUSTERIC </TD> </TR> | + | <TR> <TD> <I>Bet you [[fippence]],</i></TD> <TD> Here (the memories framed from walls are</TD> <TD> PREAUSTERIC </TD> </TR> |
<TR> <TD> <I>anythesious,</i> </TD> <TD>minding) till wranglers for wringwrowdy</TD> <TD> MAN AND HIS</TD> </TR> | <TR> <TD> <I>anythesious,</i> </TD> <TD>minding) till wranglers for wringwrowdy</TD> <TD> MAN AND HIS</TD> </TR> | ||
| − | <TR> <TD> <I>there's no | + | <TR> <TD> <I>there's no [[puggatory|pug-]]</i> </TD> <TD>wready are, F <img SRC="sigla/f-xt.gif" ALT="(F-reversed)" />, (at gaze, respecting, four-</TD> <TD> PURSUIT OF</TD> </TR> |
| − | <TR> <TD> <I>gatory, are yous</i> </TD> <TD>teenth baronet, meet, altrettanth bancorot,</TD> <TD> PAN-</TD> </TR> | + | <TR> <TD> <I>[[puggatory|gatory]], are yous</i> </TD> <TD>teenth baronet, meet, altrettanth bancorot,</TD> <TD> PAN-</TD> </TR> |
<TR> <TD> <I>game?</i> </TD> <TD>chaff) and ere commence commencement cata-</TD> <TD> HYSTERIC</TD> </TR> | <TR> <TD> <I>game?</i> </TD> <TD>chaff) and ere commence commencement cata-</TD> <TD> HYSTERIC</TD> </TR> | ||
<TR> <TD> </TD> <TD>launic when Aetius check chokewill Attil's</TD> <TD> WOMAN.</TD> </TR> | <TR> <TD> </TD> <TD>launic when Aetius check chokewill Attil's</TD> <TD> WOMAN.</TD> </TR> | ||
| Line 34: | Line 34: | ||
<TR> <TD> </TD> <TD>frondeur to thickly thyself attach with thine</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>frondeur to thickly thyself attach with thine</TD> <TD> </TD> </TR> | ||
<TR> <TD> </TD> <TD>efteased ensuer, <SUP>4</SUP> ondrawer of our uncon-</TD> <TD> </TD> </TR> | <TR> <TD> </TD> <TD>efteased ensuer, <SUP>4</SUP> ondrawer of our uncon-</TD> <TD> </TD> </TR> | ||
| − | <TR> <TD> </TD> <TD>scionable, flickerflapper fore our unter-</TD> <TD> </TD> </TR> | + | <TR> <TD> </TD> <TD>scionable, [[flickerflapper]] fore our unter-</TD> <TD> </TD> </TR> |
<TR> </TR> | <TR> </TR> | ||
<TR> </TR> | <TR> </TR> | ||
Latest revision as of 08:24, 12 April 2020
| boxomeness of the bedelias 1 makes hobby- | ||
| hodge happy in his hole. 2 The store and | ||
| charter, Treetown Castle under Lynne. Riva- | ||
| pool? Hod a brieck on it! But its piers eerie, | ||
| its span spooky, its toll but a till, its parapets | ||
| all peripateting. D'Oblong's by his by. Which | ||
| we all pass. Tons. In our snoo. Znore. While | ||
| we hickerwards the thicker. Schein. Schore. | ||
| Which assoars us from the murk of the mythe- | ||
| lated in the barrabelowther, bedevere butlered | ||
| table round, past Morningtop's necessity and | ||
| Harington's invention, to the clarience of the | ||
| childlight in the studiorium upsturts. Here | ||
| we'll dwell on homiest powers, love at the | ||
| latch with novices nig and nag. The chorus: | ||
| the principals. For the rifocillation of their | ||
| inclination to the manifestation of irritation: | ||
| doldorboys and doll.3 After sound, light and | ||
| heat, memory, will and understanding. | ||
| Bet you fippence, | Here (the memories framed from walls are | PREAUSTERIC |
| anythesious, | minding) till wranglers for wringwrowdy | MAN AND HIS |
| there's no pug- | wready are, F <img SRC="sigla/f-xt.gif" ALT="(F-reversed)" />, (at gaze, respecting, four- | PURSUIT OF |
| gatory, are yous | teenth baronet, meet, altrettanth bancorot, | PAN- |
| game? | chaff) and ere commence commencement cata- | HYSTERIC |
| launic when Aetius check chokewill Attil's | WOMAN. | |
| gambit, (that buxon bruzeup, give it a burl!) | ||
| lead us seek, O june of eves the jenniest, | ||
| thou who fleeest flicklesome the fond fervid | ||
| frondeur to thickly thyself attach with thine | ||
| efteased ensuer, 4 ondrawer of our uncon- | ||
| scionable, flickerflapper fore our unter- | ||
| 1 I believe in Dublin and the Sultan of Turkey. | ||
| 2 I have heard this word used by Martin Halpin, an old gardener from the | ||
| Glens of Antrim who used to do odd jobs for my godfather, the Rev. B.B. | ||
| Brophy of Swords. | ||
| 3 Ravens may rive so can dove deelish. | ||
| 4 A question of pull. | ||
