Difference between revisions of "Page 32"
From FinnegansWiki
Jump to navigationJump to searchm |
|||
| (36 intermediate revisions by 3 users not shown) | |||
| Line 3: | Line 3: | ||
[[Page 31]] [[Page 33]] | [[Page 31]] [[Page 33]] | ||
| − | on the road? And shall Nohomiah be our place like? Yea, Mulachy | + | on the road? And shall [[Nohomiah]] be our place like? Yea, [[Mulachy]] |
| − | our kingable khan? We shall perhaps not so soon see. [[Pinck poncks that bail for seeks alicence|Pinck | + | our [[kingable khan]]? We shall perhaps not so soon see. [[Pinck poncks that bail for seeks alicence|Pinck |
| − | ]][[Pinck poncks that bail for seeks alicence|poncks that bail for seeks alicence]] where cumsceptres with scen- | + | ]][[Pinck poncks that bail for seeks alicence|poncks that bail for seeks alicence]] where [[cumsceptres with scentaurs stay|cumsceptres with scen]]- |
| − | taurs stay. Bear in mind, son of Hokmah, if so be you have me- | + | [[cumsceptres with scentaurs stay|taurs stay]]. Bear in mind, son of [[Hokmah]], if so be you have [[metheg|me-]] |
| − | theg in your midness, this man is mountain and unto changeth | + | [[metheg|theg]] in your midness, this man is mountain and unto changeth |
| − | doth one ascend. Heave we aside the fallacy, as punical as finikin, | + | [[doth]] one [[ascend. Heave]] we aside the fallacy, as [[punical]] as [[finikin]], |
that it was not the king kingself but his [[inseparable sisters]], [[uncontrollable nighttalkers|un-]] | that it was not the king kingself but his [[inseparable sisters]], [[uncontrollable nighttalkers|un-]] | ||
[[uncontrollable nighttalkers|controllable nighttalkers]], [[Skertsiraizde]] with [[Donyahzade]], who | [[uncontrollable nighttalkers|controllable nighttalkers]], [[Skertsiraizde]] with [[Donyahzade]], who | ||
| − | afterwards, when the robberers shot up the socialights, came down | + | afterwards, when the [[robberers]] [[shot up the socialights]], came down |
| − | into the world as amusers and were staged by Madame Sudlow | + | into the world as [[amusers]] and were staged by [[Madame Sudlow]] |
| − | as Rosa and Lily Miskinguette in the [[pantalime]] that two [[pitts]] | + | as Rosa and Lily [[Miskinguette]] in the [[pantalime]] that two [[pitts]] |
| − | [[paythronosed]], Miliodorus and Galathee. The great fact emerges | + | [[paythronosed]], [[Miliodorus]] and [[Galathee]]. The great fact emerges |
that after that historic date all holographs so far exhumed ini- | that after that historic date all holographs so far exhumed ini- | ||
| − | tialled by Haromphrey bear the sigla H.C.E. and while he was | + | tialled by Haromphrey bear the [[sigla]] [[H.C.E.]] and while he was |
| − | [[only and long]] and always good Dook Umphrey for the hunger- | + | [[only and long]] and always [[good Dook Umphrey]] for the [[hunger-]] |
| − | lean spalpeens of Lucalizod and Chimbers to his cronies it was | + | lean [[spalpeens]] of [[Lucalizod]] and Chimbers to his cronies it was |
equally certainly a pleasant turn of the populace which gave him | equally certainly a pleasant turn of the populace which gave him | ||
as sense of those normative letters the nickname [[Here Comes Everybody|Here Comes]] | as sense of those normative letters the nickname [[Here Comes Everybody|Here Comes]] | ||
| − | [[Here Comes Everybody|Everybody]]. An imposing everybody he always indeed looked, | + | [[Here Comes Everybody|Everybody]]. An [[imposing everybody he always indeed looked]], |
constantly the same as and equal to himself and magnificently well | constantly the same as and equal to himself and magnificently well | ||
| − | worthy of any and all such universalisation, every time he con- | + | worthy of any and all such [[universalisation]], every time he con- |
tinually surveyed, amid vociferatings from in front of <I>Accept these</I> | tinually surveyed, amid vociferatings from in front of <I>Accept these</I> | ||
| − | <I>few nutties!</I> and <I>Take off that white hat!</I>, relieved with <I>Stop his Grog</I> | + | <I>few nutties!</I> and <I>[[Take off that white hat!]]</I>, relieved with <I>[[Stop his Grog]]</I> |
| − | and <I>Put It in the Log</I> and <I>Loots in his</I> (bassvoco) <I>Boots</I>, from good | + | and <I>[[Put It in the Log]]</I> and <I>[[Loots]] in his</I> (bassvoco) <I>Boots</I>, from [[good start to happy finish|good]] |
| − | start to happy finish the truly catholic assemblage gathered together | + | [[good start to happy finish|start to happy finish]] the truly catholic assemblage gathered together |
| − | in that [[king's treat house]] of satin alustrelike above floats and foot- | + | in that [[king's treat house]] of satin alustrelike above [[floats]] and foot- |
| − | lights from their assbawlveldts and oxgangs unanimously to clap- | + | lights from their [[assbawlveldts]] and [[oxgangs]] unanimously to clap- |
plaud (the inspiration of his lifetime and the hits of their careers) | plaud (the inspiration of his lifetime and the hits of their careers) | ||
| − | Mr Wallenstein Washington Semperkelly's [[immergreen]] tourers | + | Mr [[Wallenstein]] Washington [[Semperkelly's]] [[immergreen]] tourers |
in a command performance by special request with the courteous | in a command performance by special request with the courteous | ||
permission for pious purposes the [[homedromed and enliventh]] | permission for pious purposes the [[homedromed and enliventh]] | ||
| − | performance of the problem passion play of the millentury, running | + | performance of the [[problem passion play]] of the [[millentury]], running |
| − | strong since creation, <I>A Royal Divorce</I>, then near the approach | + | strong since creation, <I>[[A Royal Divorce]]</I>, then near the approach |
| − | towards the summit of its climax, with ambitious interval band | + | towards the [[summit of its climax]], with ambitious interval band |
| − | selections from <I>[[The Bo' Girl]]</I> and <I>The Lily</I> on all horserie show | + | selections from <I>[[The Bo' Girl]]</I> and <I>[[The Lily]]</I> on all [[horserie]] show |
| − | command nights from his viceregal booth (his bossaloner is ceil- | + | command nights from his viceregal [[booth(32)|booth]] (his [[bossaloner]] is ceil- |
Latest revision as of 06:30, 20 March 2021
on the road? And shall Nohomiah be our place like? Yea, Mulachy our kingable khan? We shall perhaps not so soon see. Pinck poncks that bail for seeks alicence where cumsceptres with scen- taurs stay. Bear in mind, son of Hokmah, if so be you have me- theg in your midness, this man is mountain and unto changeth doth one ascend. Heave we aside the fallacy, as punical as finikin, that it was not the king kingself but his inseparable sisters, un- controllable nighttalkers, Skertsiraizde with Donyahzade, who afterwards, when the robberers shot up the socialights, came down into the world as amusers and were staged by Madame Sudlow as Rosa and Lily Miskinguette in the pantalime that two pitts paythronosed, Miliodorus and Galathee. The great fact emerges that after that historic date all holographs so far exhumed ini- tialled by Haromphrey bear the sigla H.C.E. and while he was only and long and always good Dook Umphrey for the hunger- lean spalpeens of Lucalizod and Chimbers to his cronies it was equally certainly a pleasant turn of the populace which gave him as sense of those normative letters the nickname Here Comes Everybody. An imposing everybody he always indeed looked, constantly the same as and equal to himself and magnificently well worthy of any and all such universalisation, every time he con- tinually surveyed, amid vociferatings from in front of Accept these few nutties! and Take off that white hat!, relieved with Stop his Grog and Put It in the Log and Loots in his (bassvoco) Boots, from good start to happy finish the truly catholic assemblage gathered together in that king's treat house of satin alustrelike above floats and foot- lights from their assbawlveldts and oxgangs unanimously to clap- plaud (the inspiration of his lifetime and the hits of their careers) Mr Wallenstein Washington Semperkelly's immergreen tourers in a command performance by special request with the courteous permission for pious purposes the homedromed and enliventh performance of the problem passion play of the millentury, running strong since creation, A Royal Divorce, then near the approach towards the summit of its climax, with ambitious interval band selections from The Bo' Girl and The Lily on all horserie show command nights from his viceregal booth (his bossaloner is ceil-
